Difference between revisions of "Jester of Columbia"

From WikiCU
Jump to: navigation, search
(History)
(External links)
Line 64: Line 64:
 
*[http://www.jesterlackssoundscience.com "A thorough debunking of Jester's lies"]
 
*[http://www.jesterlackssoundscience.com "A thorough debunking of Jester's lies"]
 
*[http://www.columbia.edu/cu/alumni/Magazine/Fall2009/feature3.html Columbia Alumni Center exhibit of ''Jester'' covers]
 
*[http://www.columbia.edu/cu/alumni/Magazine/Fall2009/feature3.html Columbia Alumni Center exhibit of ''Jester'' covers]
 +
 +
==References==
 +
<references/>
  
 
[[Category:Student publications]]
 
[[Category:Student publications]]

Revision as of 02:03, 16 May 2013

See also Wikipedia's article about "Jester of Columbia".

The Jester of Columbia, or simply the Jester, is a campus humor magazine. It is widely acclaimed as "somewhat funny every now and then," a major achievement for any college humor publication.

The Jester is also known for its comedic performances, which include the Andy Kaufman-esque Banquet in Honor of the King of Spain, the full multimedia production Up Late with Jeff Julian, the sketch show Finite Jest, and Internship Survival Guide, a collaboration with Project Bluelight.

History

Legendarily founded on April Fool's Day, 1901, Jester is one of the oldest such publications in the US. It was revived in 2001 after a 12-year lapse in publication and again in 2004 after a shorter one.

The magazine has occasionally tested the boundaries of satire severely. 1,500 copies of a 1967 issue that included phrases such as "tar babies" and "the noble savage" were confiscated by black students from around campus, and around 30 of them were burned in front of Ferris Booth Hall in June of that year.[1]

During the 2006-2007 school year, Jester was embroiled in a bizarre (and possibly one-way, i.e., as a Jester-only prank) feud with the Columbia Undergraduate Science Journal.

Jester covers

The Jester has occasionally been known for its artistically sophisticated covers, a trait which reached its peak during the 1930s, when Ad Reinhardt, later a notable abstract expressionist painter, was one of its editors. The cover art of the Jesters of this period was considered comparable to that of The New Yorker.


Jester alumni

Jester Editors-in-Chief (2004-Present)


External links

References